AWETOY Version 1.0 Gamma 4 by Geo Pertea
Click here for AWET1G4.ZIP (288KB)
This page will undergo change as new features arise or new techniques
are discovered
AWETOY is the SB32/AWE32 user's best friend, second only to a software
sequencer in its functionality. AWETOY can be used to change sound
font banks and set and preview instruments as well, but perhaps its
most important function is that it can behave as a filter that connects
your midi keyboard to your software sequencer. Use a virtual midi
driver such as midimux or mrouter. Then tie the output of your midi
keyboard to the input of AWETOY, and the output of AWETOY to the
one of the inputs on your sequencer. The functionality of AWETOY is
described by the "tab", but before we go to the tab functions, let's
discuss the controls. AWETOY, like any good instrument, provides many
interactive controls in the form of dials, sliders and push-button
arrows. You might be thinking: that's nice, but mouse controlled
sliders are no match for analog sliders. Think again. The default
slider increment or decrement (performed by left mouse-clicking (LMC) to
either the right or left of the slider bar) can be set to other
than the default value of one. By using ALT-LMC, CTRL-LMC, SHIFT-LMC,
you can set the delta value to a preset that you store in AWETOY.INI.
The defaults are 2,5 and 12. This makes the sliders very customizable.
Now, onto the tabs.
- Keyboard: set the instrument, bank and global MIDI channel that you
want to use. Set special effects such as chorus, reverb and volume. You
can also do a pitch bend and set the note velocity. I find the use
of the computer keyboard mapping to MIDI notes to be very handy for
previewing instruments: I can preview instruments without having to
reach over to the MIDI keyboard. There is even a key range split feature
allowing one split with two ranges!
- MIDI fx: this is an absolutely incredible feature. Many of these
features are available only in high-priced synthesizers or, perhaps, in
some software sequencers. There are three key options.
- Pseudo-Echo: MIDI echo using multiple output channels. In Cakewalk,
you can hear and record multiple channels by simply setting the CHANNEL
column to "--" (dash) on the current track. Echo allows you to create
very nice echoes and strumming effects, using the decay setting to
adjust the effect to your style. But, it also allows you to create
chords (using a single root note) by setting the DELAY to zero. That is
only the beginning. The "channel table" is a method for creating
performances, or the simultaneous playing of several instruments. You
can also simulate chords in this fashion by altering the "shift" value.
But the shift value has another great use for percussion! To create,
say, a bongo drum with a cymbal, create "2 echoes" and set the global
MIDI channel and the two echo channels to 10.
- Chords/Patterns: This is a great way to make patterns of notes that
you like. Think of this tab as a "pattern sequencer"
since it can remember the order in which you play notes (by creating your
own pattern) and
use this as a "template" to launch a fantastic array of sound. Traditional
chord structures are just special cases. For strumming effects, you
have even more control here than in the Pseudo-Echo tab.
- Arpegg: This is a full-fledged, and accurate, arpeggiator but you've
probably not seen one of these on your synth. The reason is that it takes
a sequence and not simply a set of simultaneous key presses. So you
can create very nice arpeggiated sequences in both directions and everything
inbetween. Set the "velocity-override" on the Keyboard Tab if you want
AWETOY to ignore velocity. By using velocity, however, you can create
interesting, irregular arpeggiated sequences with effective "rests."
The two modes of operation are "Any key" and "Only held keys". "Any key"
is a latch mode where you need not keep the keys depressed: subsequent
key presses are cumulative to the sequence. The "extra notes to add"
is great because this is more flexible than a simple "range dial". Change
the note length and the tempo to adjust the speed.
- Sounds: like AWECP, you can load and remove banks, and
there is a virtual sound font manager.
- NRPNs: forget mapping LSB and MSB bytes to correctly map non-registered
parameters to useful things such as dials and sliders. Instead, use the
NRPN tab. With the right-mouse click (RMC),
you can assign any slider to any NRPN here and obtain those
great effects such as filter sweep, tremolo and vibrato.
Use Initial Cutoff to create a
nice sweep. You can also map your pitch wheel and any other
physical continuous controller to the SB32/AWE32 controller effects.
- FX Manager: Full control over Reverb and Chorus for the SB32/AWE32.
- Mixer: A custom mixer with a saved settings option.
If you are interested in a good, detailed discussion of how
to get AWETOY and your sequencer connected (especially, if using
Cubase), please see
Jeremy Smith's Page
One can only begin to discuss the variety of effects that AWETOY can
produce. Go and give it a try!